Dialogues des Carmelites Tickets

Dialogues des Carmélites Tickets Glyndebourne 2023

10 JUNE – 29 JULY 2023
Francis Poulenc

As the revolution reaches its bloody height, Blanche de la Force turns her back on the world, searching for peace and purpose in the convent. But life as a Carmelite has its horrors. Faced with an agonising choice, Blanche must let go of her fears and finally find the courage to live – or die.

One of the most devastatingly powerful operas in the repertoire, Dialogues des Carmélites is also one of the most beautiful.

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Dialogues des Carmelites Glyndebourne Performance Dates 2023

Saturday 10 June, 4.50 pm
Thursday 15 June, 4.50 pm
Sunday 18 June, 3.50 pm
Friday 23 June, 4.50 pm
Friday 30 June, 4.50 pm
Friday 7 July, 4.50 pm
Friday 14 July, 4.50 pm
Friday 21 July, 4.50 pm
Monday 24 July, 4.50 pm
Saturday 29 July, 4.50 pm

A true story inspired Poulenc’s revolution-set opera.

Forty individuals’ heads were cut off, including 16 Carmelite nuns from Compiègne.’

This was dated 17 July 1794, from the diary of 69-year-old Célestin Guittard de Floriban (who took a particular interest in the public guillotinings) serves to remind us that Dialogues des Carmélites had at its centre a real event.

Initially, the French Revolution of 1789 was not intrinsically opposed to religion; but it was, from the start, unrelentingly harsh towards contemplative religious orders like the Carmelites. Writers in the Enlightenment had regarded such figures with something like contempt. Voltaire’s summary was, ‘They eat, they pray, they digest’. Moreover, the wealth of their communities seemed a reproach when set against apostolic poverty. Indeed, religious houses formed a system of outdoor relief for supernumerary children of the upper classes.

In these anti-clerical polemics, nuns were invariably held to be victims. It was widely believed that most had been forced to take lifetime vows as minors under pressure from their families. The nun’s veil was thus an iconic symbol of oppression. Where they were not (in a surprisingly widespread fantasy) believed to be degraded brothels where sisters held orgies with confessors and fellow nuns, convents were viewed as mini-Bastilles where defenceless girls were pitilessly incarcerated and abused mentally and physically.

In 1792–3, the French monarchy was overthrown, was bloc was founded, and France drifted into war against most of Europe. The National Assembly reacted to the threat of state failure by adopting a policy of Terror. As a result, a deep abyss opened up beneath those who resisted the call of Revolutionary patriotism. The Carmelites of Compiègne were of this number.

In 1792, the Carmelite convent was taken over by Compiègne’s municipality, and municipalities were dispersed around private homes in the town. In June 1794, Compiègne’s Revolutionary Surveillance Committee concluded that the sisters held ‘gatherings and conventicles’ with counter-Revolutionary intent.

As the revolution reaches its bloody height, Blanche de la Force turns her back on the world, searching for peace and purpose in the convent. But life as a Carmelite nun has its own horrors. Faced with an agonising choice, Blanche must let go of her fears and finally find the courage to live – or die.

One of the most devastatingly powerful operas in the repertoire, Dialogues des Carmélites is also one of the most beautiful.

Steeped in Debussy, Monteverdi and Verdi, Poulenc’s lyrical score balances cinematic drama and scope, charged with the violence of revolution, with moments of startling simplicity and beauty.

The composer may have asked rueful forgiveness for his nuns and their old-fashioned music, but this modern masterpiece needs no apology.

Dialogues des Carmelites Glyndebourne Performance Dates

Saturday 10 June, 4.50 pm
Thursday 15 June, 4.50 pm
Sunday 18 June, 3.50 pm
Friday 23 June, 4.50 pm
Friday 30 June, 4.50 pm
Friday 7 July, 4.50 pm
Friday 14 July, 4.50 pm
Friday 21 July, 4.50pm
Monday 24 July, 4.50 pm
Saturday 29 July, 4.50 pm